#real relevance

[lesbiten]

i forget that theres an episode thats genuinely just "look how nice this show would be if some of your women who are minor side characters became part of the more "plot relevant" side characters, and werent just killed off because viewers hate women"

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[melanodis]

making a shitpost because i dont want to finish this rn

[qibilette]

protagonists of arc 2! id in alt

[bacchuschucklefuck]

prayer of the day:

[beej-machinations]

aroace? no. aggroace. i've had enough.

[bigfatbreak]

Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).

If he is starving / in danger of starving who is the first to realize this?

it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.

In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae

[pinky-lemon]

various doodles again

[conflictofthemind]

Thoughts on "Escape from Camazotz"

Oppressive Suburbia, Conformity, and Season 5 Themes

I've long thought that a major focus of Season 5 will be the contrast between the families of The Wheelers and The Byers, and exploring how non-traditional family environments can be freeing vs the oppressive structure of the nuclear family.

In a Wrinkle In Time, Camazotz is a planet controlled by the big bad of the book, the "IT", who forces the citizens into a conformity that resembles American suburbia. All of the houses the same, the citizens the same, doing the same things at the same time without individual identity. Without anything different. Different means a lot of things, but with Stranger Things dropping different in reference to Will's identity and the presumable themes of this season, it will heavily codify as queerness and how it threatens the cisheterosexual family model.

Henry was raised in the 1950s, a decade still revered by conservatives for it's traditional family dynamics that supposedly were the peak of culture and happiness for all. That was all a lie, of course, and Henry knew so as he shows to Nancy and Eleven during his monologue. The second most conservative decade aside from the 1950s in American society is widely considered to be the 1980s.

The Creels will serve in parallel to The Wheelers; the worst example of what they could become and the damage that this type of family could do to a child that is different in any way. Notice how Vecna selectively shows Nancy visions of The Wheelers dying, but not anyone else she may consider family or friends (like Jonathan).

That is; unless they change their ways and come together as a healthy functioning family facing their traumas, The Wheelers will be toast.

Karen has been moved up to a main character role this season. Ted's actor says the father starts to show up more for Holly (hold that) and realizes he wants to act differently. Holly has been recast. Finn has said Mike goes on a much more personal journey this season, and steps up as a leader.

Oh, also: the catalyst for all of this is that Holly goes missing. The contrast will help show how the Byers (including El and Hopper here) were able to pull together and help solve Will's disappearance, versus how the Wheelers as a closed off nuclear family grapple with Holly's vanishing.

Each of the Byers is in some kind of a non-1950s conformist relationship, but particularly Will (not in one now but we all know he will be). I think El might represent, after she breaks up with Mike, the fear of the unmarried woman being satisfied without a husband. The above shot really emphasizes my point.

I predict that Will will end up coming out to his family rather early on, and we will see all of them immediately accept him with little surprise or push-back. Will is a visible gay man who comes from an open minded non traditional family (divorced, non-married, adoptive) that is willing to have honest conversations.

But this theme will place the most focus on the Wheelers. Mike is the main character of said family and this will particularly focus on his arc, and his acceptance of his queerness in the midst of suburban conformity.

He is not visible, he comes from a Reagan-supporting family who don't communicate with each other. He is not particularly close with his family like Will is. He pushes his feelings down and tries his damn hardest to be normal despite it all. His trauma hasn't really been addressed at all. He is falling back into his usual habits - the one thing he dared to do different (grow his hair long) has gone back to how it was.

It's not all doom and gloom though. This season above all will be a redemption arc of the American nuclear family, how they choose to escape their conformity and learn to be there for each other, thus overpowering Vecna. Not that the Wheelers are going to end this personally.

"Great, more hysteria. Just what we need". "It's the news, now indistinguishable from the tabloids".

[rystiel]

well that’s one way to come out i guess

[royalarchivist]

Pac: This is the new me, ok? I want you to welcome... the new Pac! [...] This skin is really cool, I think I'm gonna use this more often.

Himaru: ...What happened to you, man? Did you get run over? 😰

Pac: [Laughs] Don't judge me, don't judge me!

Being ugly in Arkanis is a crime, and unfortunately for all of us, Pac loves being a criminal. 😓

[ Full Subtitle Transcript ↓ ]

—

Pac: Guys– This is the new me, ok? I want you to welcome... the new Pac!

Pac: [Laughs]

[Pac gets kicked from the server with the message: "Change this"]

Pac: [Laughing] No! No! No– I won't change, I won't change, I won't change! I won't change! Let me- let me in! No no no– What a dictatorship– there can't be a dictatorship here, no– No, I won't change! [Stammers] I'm- I'm myself! I'm myself!

Pac: [Pinches his nose so he has a nasally voice] Hi friends, welcome to class. I'm going to talk like that, ok? I'll even turn off the facecam, because today, I'm going to– I'm kidding, no no no.

Pac: Man, this skin is really cool, it really is. I think that this– I'm gonna use this more often, man. [Reading chat] "Halloween is over" Guys, this– This is who I am now! Who I am– This is me now, I'm this person here.

[Red text appears on the screen saying "30 seconds to change"]

Pac: "30 seconds to change–" Hang on, what is this?! No– calma, what is–? Guys, for the love of god–

[Another warning appears saying "20 seconds to change"]

Pac: No!!! No! No no no! No no no! You can't do this! You can't do this here. You- you can't. You can't make me change my skin.

[A final warning appears saying "10 seconds to change"]

Pac: No– You can't, I won't take it off! I'm going to my class now, I have to go to class! This is my "studying" skin! I- I–

[Pac gets banned]

Pac: [Hits his desk]

Dono: The skinmakers in chat are crying, having heart attacks, collapsing. It's horrible, dude.

Pac: [Laughs] It's not that ugly, it's fine, it's good.

Himaru: [Long pause] ...What happened to you, man? Did you get run over?

Pac: [Laughs] Don't judge me, don't judge me! Ok? Look at- look at- look at JVNQ! He has a funny face too, but nobody says anything about it!

Himaru: No man, I'm not judging you, but– I just wor- I'm just worried! [...] Well for me, I'll be serious with you: it doesn't matter what's on the outside, ok? What matters is what's inside, got it?

Pac: Thank you. [He hugs Himaru] Do you think I'm poggers? Do you think I'm poggers? Say it.

Himaru: No Pac, it doesn't matter that you look ugly, ridiculous, like a truck reversed into you then ran you over, like someone hit you–

Milo: my god

Himaru: –like Anderson Silva crushed you in the ring– Hey, it doesn't matter! What matters is that your heart is beating.

JV: And you have a home!

Himaru: Understand? Give love to others, ok?

Pac: My god.

Milo: he was saving those insults

Himaru: And that's all, ok man? You can be at peace, ok? I won't- I won't judge you, I'll just... I'll just do one thing, man.

Pac: What are you doing?

Himaru: I'm just going to avoid eye contact, ok? But I'm still talking to you, I'm still listening, ok? I hear you.

Pac: ...I can't believe this.

[velvetcake96]

“Cover me” -Clancy

“Covering you” -Torchbearer

Your honor they’re gay gay homosexual gay.

[vampyre-kin]

"I always had a repulsive sort of need to be something more than human."

— David Bowie, Rolling Stone, 12 February 1976

[axolotlclown]

Ok, none of you know what's going on. None of you understand why so many women and young streamers are stepping forward right now. None of you understand why this has to be public.

Multiple large streamers have used their fame, influence, and money to manipulate and abuse those they see as below them. So long as they continue to have fame, influence, and money, this cycle will not end.

This is bigger than just individual cases of sexual assault or other abuse. This is a break down of a much larger problem within the entertainment industry.

These women are telling stories about very powerful men in this space. They are sharing stories of abuse and manipulation. This is very scary for them—it could ruin their careers or lives.

Stop saying "they should have handled this privately." This isn't a private matter. So long as these men have power, they will hurt more women. They aren't sorry. They won't play fair.

By trying to stay silent and bury these accusations, you are ensuring these women never know peace. You are ensuring that more women get hurt.

One day your boss will assault you, and all the men in your life will blame you for waiting as long as you did to speak about it. They will find any reason to blame you. They don't want to get rid of your boss. They hope that one day, they can assault a woman just like you.

This is fucking serious. This is real life. This isn't just some fucking fandom drama that we can bury and move on from. These are real life issues that require real meaningful discussion.

Stop trying to discredit these women just because your streamer is in trouble. You are part of the fucking problem.

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.